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Guideline's index

0. Overview

1. Logo

1.1 Logo clearspace

1.2 Logo placement

1.3 Sub-branding

1.4 Co-branding

1.5 Logo sizing

1.6 Logo color

1.7 Logo on photography

1.8 Wordmark-pictogram placement

1.9 Layer logo placement

1.10 Favicon

1.11 Misuse

2. Colors

2.1 Primary

2.2 Secondary

2.3 Grey shades

2.4 Specials

2.5 Our accent

2.6 Colored background with type

2.7 Camo color system

3. Typography

3.1 Brand typeface

3.2 Weights

3.3 Sizing

3.4 Alignment

3.5 Tracking

3.6 Kerning

3.7 Leading

3.8 Misuse

4. Tone of voice

5. Videography

6. Template room

Porcelaingres

Brand guidelines

Ver. 1.0, may 2023


Logo

Colors

Typography

Tone of voice

Videography

Template room

Timeless

Straightforward

Human-centered

Vibrant

logo-sunrise

As part of the Italian Iris Ceramica Group, we manufacture high-quality ceramic stoneware surfaces. We are proud to be a part of this group, which has a long-standing reputation for excellence in premium ceramic solutions. Our production is based in Vetschau, Germany, as well as in Castellarano, Italy.


We are committed to providing our clients with the highest quality ceramic stoneware surfaces available on the market. We use state-of-the-art technology and the finest materials to produce tiles that are not only aesthetic in design, but also durable and long-lasting.

Logo


Logo clearspace

Logo placement

Sub-branding

Co-branding

Logo sizing

Logo color

Logo on photography

Wordmark-pictogram placement

Layer logo placement

Favicon

Misuse


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Logo


Our  logo is clear, solid, timeless.

It consists of two elements: wordmark and pictogram. 

logo-completo

Wordmark and pictogram are detached, giving more dynamism to the identity and greater value to both.


Wordmark and symbol are always both present in a ratio of h 1:1, 1:2 and 1:4. On printed supports they do not necessarily have to be present on the same side, but can be adopted separately in solutions like f/r type or digital supports like header/footer.

pg-pictogram
pg-wordmark
Download logo package

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wordmarkpictogram

Only in exceptional cases, when it is not possible to respect the distances between the pictogram and the wordmark, it is possible to use the full version as in the example above.

Logo clearspace


When placing the logo, it's important to give enough space from the margins and other elements on the surface it's presented on. The clearspace principle derives from the size of our initial. 

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wordmark-clear-space wordmark-clear-space-hover
wordmark-clear-space-sx wordmark-clear-space-sx-down

 

Logo placement

Orizontal images

images-clear-space-landscape-1 images-clear-space-landscape-hover

Vertical images

images-clear-space-portrait images-clear-space-portrait-hover

Web

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pg-web pg-web-hover

Sub-branding


The simplicity of our wordmark allows it to have various lock-ups when we communicate e.g. Vetschau, Berlin or Outdoor.

Never use only pictogram for sub-branding.

logo-lock-up-2 logo-lock-up-2-hover
logo-lock-up-3 logo-lock-up-3-hover

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logo-lock-up-1 logo-lock-up-1-hover
sede
pg-showroom_berlin

Co-branding


When we collaborate or partner with other brands, we have developed a system for co-branding. Either Porcelaingres leads or the collaborator leads. Both options are ok. We can choose between horizontal and vertical lock-ups.

Horizontal system:

Wordmark

co-branding1

Vertical system:

Wordmark

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co-branding2

Logo sizing


Our logo is designed to work at all sizes. The minimum logo size is set to a height of 15 px, ensuring proper legibility. There is no set maximum size. If you go big, always remember to follow the rules of clearspace.

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pg-logo-sizing-black pg-logo-sizing-white-2

Logo color


The Porcelaingres logo should only be used with black, white and our brand colors. Black and white are the primary usage, but it's also allowed to practice our Camo Color System, when the logo is presented in split view with a photograph.

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logo-white logo-black

Logo on photography


When applying our logo on photography, always ensure enough contrast between logo and image to make it clear, crisp and legible.

Usage:

Wordmark+pictogram

logo-on-picture
logo-on-picture-3

Usage:

Wordmark/pictogram

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logo-on-picture-4-hover
logo-on-picture-4

Wordmark-pictogram placement


Always keep wordmark and pictogram distant. At least 4x (x=P or pictogram height) for vertical allignement and 1y (y=wordmark length) for horizontal allignment, as shown below.

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logo-placement

Layer logo placement

Top sx

layout-placement layout-placement2

Top dx

layout-placement3 layout-placement4

Bottom sx

layout-placement7 layout-placement8

Bottom dx

layout-placement9 layout-placement10

Centered

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layout-placement5 layout-placement6

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Favicon

favicon favicon2

Misuse


Our logo should always be treated with love and appear consistent throughout all surfaces. Respect it please.

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misuse-typography

Remind:


Do not use the logo as part of typography.

Always use our brand typeface.

Colors


Primary

Secondary

Grey shades

Specials

Our accent

Colored background with type

Camo color system


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Colors


A new color palette that defines the entire visual identity for a more contemporary and 

dynamic look.


Black and white are the basis on which the other colors move. These two colors guarantee us a color palette in line with the values ​​of the brand. To these are added secondary colors that warm up the palette and some accents that we will need to highlight information and that we will use with caution. Yellow is the color we designate for institutional communications.

Download Color Palette

Primary

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PG black

PG white

Secondary

Warm grey

Skin

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Sage

Powder blue

Grey shades

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Dark grey 3

Dark grey 1

Light grey 3

Dark grey 2

Neutral grey

Light grey 2

Specials

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Silent green

Accent blu

Millenial pink

Aubergine

Our accent

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PG yellow

Colored background 

with type


Always make sure you have a solid contrast between the background and the text.

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type-color

Camo color system


If the logo appears in split combination with photography, try to choose a color from our palette that is the closest match to the most prominant color in the photograph.

chamaleont
chamaleont2

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chamaleont3

Typography


Brand typeface

Weights

Sizing

Alignment

Tracking

Kerning

Leading

Misuse


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Typography


Neue Haas Grotesk:

much more than a revival


Neutral, rigorous, it perfectly expresses the characteristics of Porcelaingres. The new version, designed in 2011, brings a typography classic into the digital age. The new logo is also based on an elaboration of this font, which will be used throughout the corporate identity.

This is our voice. 

This is our character.

Confident, real, fair.


Neue Haas Grotesk is clear, accessible and contemporary. It is an indisputable title when applied in bold, but is also functional for body text. All texts with negative kerning have been abolished.


In order to be used both for printing and for the web it is necessary to purchase the font license in the formats Display and Text.

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Download Neue Haas Grotesk

Weights


Every weights of the font could be used. 

Those below are the favorite ones.

Neue Haas Grotesk

Roman

roman

Neue Haas Grotesk 

Medium

normal

Neue Haas Grotesk 

Black

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bold

Sizing


When establishing the typographical system, strive to keep the styles as follows, respecting the desktop and mobile dimensions. Sizing is the main tool to create an effective hierarchy.

H1

Desktop — 80 px

Mobile — 80 px

Abc

H2

Desktop — 60 px

Mobile — 30 px

Abc

Body

Desktop — 22 px

Mobile — 18px

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Abc

Alignment


Large typography should always be left-aligned or centered. It should never right-aligned or justified.

text-place-
text-place-2
text-place-3
text-place-4

Smaller typography should always be left-aligned. Never centered, right-aligned or justified.

text-long-
text-long-2
text-long-3
text-long-5
text-long-4

Another thing:

Never use all caps for your headline.

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no-all-caps-pls

Tracking


Tracking is the spacing between glyphs applied to an entire box of text. To be sure of set it correctly put this value to "0".

Below are some guidelines to follow.

Correct tracking

traking

Too tight tracking

traking2

Too loose tracking

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traking3

Kerning


Kerning is the spacing between each individual letter in a word. Once tracking is set correctly, go into each word and manually adjust the kerning to make sure it sits perfectly. When working in design software, kerning should always be set to Metric. 

Below are some guidelines to follow.

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kerning kerning2

Leading


Leading is the space between lines of words. Leading should be optically bigger than the spacing between words, which again should be greater than the tracking. This will result in perfect legibility. Follow this principle for both print and digital type setting.

Correct leading

leading

Too tight leading

leading1

Too loose leading

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leading2

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Misuse


There will most definitely be occasions where type issues arises, that isn’t shown in the examples seen until now. In these cases, refer to the guidelines and be as logical as possible. Try to find solutions that feels consistent and correct with the overall brand aesthetic.

Tone of voice


Principles


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Tone of voice


Principles


We always prefer a clear and natural copy that limits all forms that weight down and lengthen written communication. Examples of forms that weight down communication are incisors, adverbs and verbs in the gerund manner. We choose the right words to ensure a concise communication that erases the superfluous. To “weak” words and phrases we prefer “strong” ones, that are direct and clear words and sentences.

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We are:


Refined

Factual

Smart

Clever

Clean

We are not:


Sarcastic

Funny

Political

Wrong

Sloppy

Videography


Video layouting


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Videography


Video layouting


Below, an example of storyborard for collection videos

1. Intro

2. Collection

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3. Ambience

4. Outro

Template room

You want it, you got it! 

Go to the template room!

We are watching you,

respect our guidelines!

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